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	<title>philip tinari</title>
	<link>http://philtinari.com</link>
	<description>my site</description>
	<lastBuildDate>Tue, 18 May 2010 17:52:40 +0000</lastBuildDate>
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	<item>
		<title>MONTHS-OLD MANIFESTO</title>
		<description>[caption id="attachment_208" align="aligncenter" width="520" caption="Cover, LEAP 1, February 2010. Shown: Huang Yong Ping, Sand Bank/Bank of Sand, 2000."][/caption] 

In light of Evan Osnos's link earlier today, I'm going to quickly post something to counter LEAP's lame slowness in getting a website up and running. This is the editorial statement (call ...</description>
		<link>http://philtinari.com/2010/05/manifesto/</link>
			</item>
	<item>
		<title>the leap</title>
		<description>[caption id="attachment_202" align="aligncenter" width="500" caption="Cai Guo-Qiang, Du Wenda’s Flying Saucer D on top of the Rockbund Art Museum, 2010. Photo by Lin Yi, courtesy Cai Studio"][/caption]

Of course one sometimes does thought experiments that involve substituting Beijing for New York or London. They've become harder in recent years, but I still ...</description>
		<link>http://philtinari.com/2010/05/theleap/</link>
			</item>
	<item>
		<title>postscript</title>
		<description>So the non-controversy of the CCTV-as-genitalia Chinese web meme seems to have died down, as these things generally do after three days. Still I feel there are some interesting things to point out about the whole non-incident. First and foremost, the time lag is just utterly remarkable. The basic mimetic ...</description>
		<link>http://philtinari.com/2009/08/postscript/</link>
			</item>
	<item>
		<title>baggage</title>
		<description>[caption id="attachment_181" align="alignleft" width="499" caption="Wang Xingwei, Untitled (Hostess and Luggage), 2001. Oil on canvas, 200 x 200 cm."][/caption]

After a week of slow connections in Shanghai, I finally saw the first of the new season last night, 5 1/2 days late if you include the time difference. Though I haven't read ...</description>
		<link>http://philtinari.com/2009/08/182/</link>
			</item>
	<item>
		<title>Fatman Returns</title>
		<description>

The fatman came to our seminar. Since the two things he professes to hate the most (besides the thing he hates the most) are Shanghai and the academy, I didn't think he'd make it, and that was even before what happened last week in Chengdu. I didn't believe he'd come ...</description>
		<link>http://philtinari.com/2009/08/fatman-returns/</link>
			</item>
	<item>
		<title>Shanghai postmodern</title>
		<description>[caption id="attachment_169" align="alignleft" width="337" caption="Yang Fudong, The First Intellectual, 2000."][/caption]

I spent last week in Shanghai for the first half of a theory workshop convened by a humanities center from the University of California system. The theme is "Designing China," and the speakers are a lot of the people whose names ...</description>
		<link>http://philtinari.com/2009/08/shanghai-postmodern/</link>
			</item>
	<item>
		<title>How to give a french concession walking tour</title>
		<description>As this seems to have become an even more regulated and regular subset of the cultural tourist itinerary than the 798 gallery prance, I think it's time someone set out some standards to insure that every curious foreigner comes away with a similar understanding of Shanghai past and present. Below, ...</description>
		<link>http://philtinari.com/2009/08/how-to-give-a-french-concession-walking-tour/</link>
			</item>
	<item>
		<title>Shenzhen state of mind</title>
		<description>[caption id="attachment_131" align="alignleft" width="500" caption="Coastal City Mall, 2008, Shenzhen."][/caption]

Yesterday was one of those magical Pearl River Delta days where the exigencies Koolhaas started proselytizing about a decade ago seemed to resonate even truer than I always imagine they must have at, say, the GSAPP or Documenta X. That old maxim ...</description>
		<link>http://philtinari.com/2009/08/shenzhen-state-of-mind/</link>
			</item>
	<item>
		<title>Legends of the Boom</title>
		<description>[caption id="attachment_123" align="alignleft" width="444" caption="Tin Hau, Jeffrey du Vallier d&#39;Aragon Aranita, color photograph, 2003."][/caption]

Jeffrey du Vallier d'Aragon Aranita was always one of my favorite bit players in the whole rise-of-Chinese-art story. I remember glancing him from afar, surrounded by a big-enough entourage, at Art Basel Miami Beach in 2006. He ...</description>
		<link>http://philtinari.com/2009/08/legends-of-the-boom/</link>
			</item>
	<item>
		<title>of signed basketballs, combovers, and funny sashes</title>
		<description>

I love the Official White House Photostream on flickr. Particularly when read from Beijing, it offers a fairly compelling vision of transparency, which of course we realize all the while is just a sequence of manufactured moments, always public, but not until now dispersed with such vernacular ease.  One ...</description>
		<link>http://philtinari.com/2009/08/of-signed-basketballs-combovers-and-funny-sashes/</link>
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